My father Antonin Kratochvil
11. 5. — 6. 9. 2020
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Gallery My father Antonin Kratochvil
His black and white photographs have always elicited emotion. Expressive, suggestive, unsettling messages about humanity and it's darker side. Antonín Kratochvíl (*1947, Lovosice) photographed tens of war conflicts, humanitarian catastrophes, but also celebrities. And he photographed them in the same way - like a social portrait. Four times a laureate of the World Press Photo award, one of the one hundred most influential figures of world photography according to the American Photo journal… Who is this man that creates art even in the fury of wars? We wanted to make a movie about him.
His work, motivation, way of seeing, selection of themes and original style reflect not only great talent, but also an extraordinary life. He once was the class black sheep, an immigrant, homeless, a criminal, a foreign legion soldier but also a globetrotter and a star of his industry. The turbulence of fate typical for his life also affected the film preparations - Antonín Kratochvíl fell into a critical health state in the spring of 2017 and after waking up from weeks long coma he had to learn how to walk again. A few months later we reached another breaking point. In the midst of the Me Too campaign, Kratochvíl was accused of sexual harassment by his former american colleague. Even though Kratochvíl denied any wrong doings, the situation culminated in him leaving the renowned photography agency Seven that he founded alongside another six famous photographers in 2001.
The backbone of our film is the broader picture - the story of a family separated by the Iron Curtain. The story of talent that, regardless of circumstances, manifested itself across three generations of photographers, from Antonín's father Jaroslav to Antonín's son Michael.
Antonín Kratochvíl emigrated from Czechoslovakia in 1967 and left behind his at the time unborn son. He got to meet Michael for the first time after nineteen long years. Michael had no notion of his father Antonín for a long time. At home, he was even told Antonín was dead. Michael, now also a photographer, examines his father's work and the peripeteia of his life, he meets with Antonín's colleagues and friends. He tackles parts of the past that both of them have tried to avoid before.
During the shoot the producer Martin Hůlovec from Punk Film, the director Andrea Sedláčková and both photographers agreed that each of them would independently map the journey, portrait each other and capture the places visited during the shoot. From the apocalyptic Chernobyl where Antonín held his photography workshops or the family visits to the Traiskirchen refugee camp in Austria where Antonín himself was held more than fifty years ago to unique corners of New York City where Antonín found the right light and shadow play for his famous portraits… The final works of Antonín and Michael Kratochvíl are presented in this unique exhibition.
Creative producer of the Czech Television movie "My father Antonin Kratochvil"